The far-ranging stable of rappers on the second volume ensures a diversity album of rapping styles, while the patented style of production throughout makes it a surprisingly consistent listen. Once again, producer steals the spotlight with his garish synth-powered rhythms, while the other producers - TJ Beatz, and - second his signature style. There are moments when the music overshadows the rappers, reaffirming the reasons why became such a renowned producer ('Holiday' and '2 Tears in a Bucket' in particular come to mind), and there are moments when his fellow producers lay down equally stunning soundscapes, particularly 'Weed, Hoes, Dough' and 'Got It All' by and 'Go Head' by TJ Beatz.
Yet there are also moments when 's music almost goes too far with its excessive synth use, like on 'WW III' and 'Friday Night.' In addition to the noteworthy production on the album, there is also some stunning rapping by the album's superstars - ('2 Years in a Bucket'), ('WW III'), and ('Friday Night') - along with some impressive performances by up-and-coming rappers in the stable: 's 'Weed, Hoes, Dough' and ' 'My Name Is Kiss.' There are a few disappointing moments such as 's mediocre 'The Great,' the awkward chorus in 'Friday Night,' and the questionable synth gaudiness, but these moments are seldom.
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